ILLUSTRATION ART
Sunday, July 22, 2012

REPORT FROM COMICON, part 2

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Every artistic choice represents a struggle over the significance of information: How much information needs to be included in the picture...
28 comments:
Thursday, July 19, 2012

REPORT FROM COMICCON, part 1

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Once again, this year's ComicCon brought together the world's most diverse array of pictures of large breasted barbarian women weari...
19 comments:
Monday, July 09, 2012

THE LENGTH OF YOUR LEASH

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James Williamson for the Saturday Evening Post (1949) There is a gap, at least 12 tugboats wide, between what an artist can imagine and...
17 comments:
Friday, June 29, 2012

CARTER GOODRICH

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Last week I wrote that animated films are  corporate artwork, polished and refined by so many committees that it is often difficult to find...
30 comments:
Monday, June 25, 2012

TEAM ARTWORK

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Comic artist Will Elder described how he and Harvey Kurtzman made art on an assembly line: We had to bring in guys to help make [Little An...
16 comments:
Thursday, June 14, 2012

MAN AND MERMAID, 100 YEARS LATER

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A century ago, Howard Pyle painted this classic image of man and mermaid locked in a passionate embrace: Pyle's image is a metapho...
23 comments:
Wednesday, June 06, 2012

A WEEK OF GRUGER, day 6

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To finish my (rather extended) week of Gruger, here is one more original with a slightly different approach. In this ambitious compositio...
16 comments:
Monday, June 04, 2012

A WEEK OF GRUGER, day 5

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OK, so these posts spilled over into more than a week, but here are some more scans from original Gruger drawings that show his masterful dr...
9 comments:
Friday, June 01, 2012

A WEEK OF GRUGER, day 4

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In 1928, Gruger was assigned by the Saturday Evening Post to illustrate a long and tedious detective story.  Rather than draw another dozen...
9 comments:
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David Apatoff
David Apatoff really likes great pictures.
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