Illustration for the Civil War tale, “The Crystal Chandelier”
Saturday Evening Post, July 14, 1934, 15.75 x 18"
He achieves this effect by starting with a broad foundation of wash made from lamp black. He then works shapes and structure into that foundation with carbon pencil, blending the carbon into the wash with a stump for tonal effect, sharpening it with a Wolff pencil point to add accents and vitality, and selectively lifting the smeared carbon with an eraser for highlights. The result leaves Gruger with the full range of values used by a painter.
Gruger was a big admirer of Rembrandt and Velasquez and despite his carbon medium, it shows.
The sparkling apex of the triangle, where the most intense darks are contrasted with the brightest whites, is the woman's dress. In 1934 readers of the Saturday Evening Post had no way of understanding the starkness of Gruger's contrast. Thanks to the wonders of Epson, we can now see what Gruger intended.
___________________________In response to a number of inquiries, the Gruger originals I've been showing over the past few days came from the substantial collection of our friends at the Illustration House gallery.