Sunday, October 06, 2019


It has been a while since I've shared another reason why I like the work of illustrator Robert Fawcett.

Even at the height of his career, Fawcett continued to sketch from the model every week.  At the end of each session, he'd open the lid of his model stand and toss in the day's efforts.  When he died, there were several hundred drawings stashed there.

One result of Fawcett's continuing commitment to observation is that when he illustrated a figure, he was not content with the usual simplistic shortcuts: symmetrical people standing perpendicular to the ground.  Instead, he observed that people are often bent or lopsided, reflecting life's tug of war between gravity and organic matter:   

One of the ways Fawcett's life drawing regimen paid off is when he received an assignment to depict a limp figure--  someone whose muscles went slack and who collapsed in a jumble-- Fawcett was able to capture such figures in a very convincing way.  Again, no stereotypes here.