MORE FIGURE STUDIES FROM DANIEL SCHWARTZ

 I previously posted a series of life drawings by illustrator Daniel Schwartz.  In addition to pencil drawings, Schwartz regularly painted from the model with watercolors.

Schwartz was a highly respected illustrator, winner of eleven gold medals from the Society of Illustrators. He already understood anatomy well and had plenty of paying jobs, yet every week he went back and spent substantial time working from the model.  

It seems clear that Schwartz wasn't doing this to learn bone and muscle structure.  He already understood anatomy.  Instead, long and close observation of the human figure can be our introduction to the greater world of natural forms.  It rewards our discipline with enhanced perceptions of wider truths.

Some of the best draftsmen I know, including Robert Fawcett, Bernie Fuchs and Pat Oliphant, underwent rigorous training drawing from the figure early in their careers, yet continued to find fresh discoveries and substantial value by continuing the process late in their careers.

I fear that the current generation of illustrators, with so many convenient shortcuts for figure drawing, may never understand the nature of the deep investment, and never reap the return on that investment.