Monday, March 30, 2026

A VISUAL DIARY OF ILLUSTRATORS

I've previously written about my admiration for Alice and Martin Provensen, the husband and wife team responsible for some of the best illustrated children's books of the 20th century. 


Shipwrecked and battered, Odysseus encounters the princess Nausicaä and her handmaidens by the river (from The Iliad and the Odyssey) 

Married couples sometimes keep a scrapbook or a diary but the Provensens were artists so they had fun recording the day's events in sketches and cartoons, which they passed back and forth.  The result is a charming record of what went on behind the scenes in the creation of their famous books.  

For example, there were days when Martin took his portfolio and knocked on doors looking for work, only to end up sitting on a park bench.



Then there were days when he got in to see an Art Director and beg for work-- a demeaning process.  What illustrator can't identify with that?


There were cartoons of the days when Alice was supposed to be working at her drawing board but Martin searched the house and discovered her outside working in the garden she loved.  There was a sketch of the day they got new dogs.  Sometimes Martin drew Alice in bed in the morning before she got up:


Their visual diary apparently began when they were first dating, and Martin was still in the Navy:




It continued through their daily domestic life on their farm. Here is the famous day Alice couldn't cure her hiccups:



But the sketches I like the most were created when the the couple was working on books together and left little joking drawings about ideas they would never use.  For example, when Martin and Alice were working on The Iliad & The Odyssey, Martin offered an alternative version of the scene (above) with Odysseus meeting (and impressing) the maidens by the river:



The Provensens painted an illustration of the sirens singing to Odysseus, luring him to crash his ship on the rocks:



But behind the scenes Martin suggested that the sirens used a different bait to lure Odysseus:




Here's their sketch about the citizens of Troy, angry that Paris brought his new bride Helen back to their city:


Martin apparently questioned Homer's version of how enthusiastically the Greeks responded to the war cry of Achilles: 


In The Iliad, Zeus was angry at the mortals, and the Provensens painted lightning bolts crackling from his head:


But Martin entertained Alice with a private joke about the wrath of Zeus:


Of course, several of the the sketches were just little "I love you" doodles they left for each other.  


I've read plenty of books with lots of words about the techniques and working methods of illustrators but I've never seen anything like this visual record of the Provensen's career.  Some of the drawings are quite personal, drawn with a loose hand and the freedom that are a specialty of artists.  For years I've seen the Provensens' work, and now it was a delight to see them at play.

14 comments:

MORAN said...

Awesome!

Count Kobra's Corner said...

how cute!

Anonymous said...

Fun behind-the-scenes material, also because it doesn’t get treated as a mysterious key to the final product. An illustrator’s life usually isn’t very glamourous, and the process of craft is usually primarily a technical endeavour. Doodling is a life-saver.

Also, though, the grafitti-like doodles of the Greek gods are full of a vitality that the more stylistic, finished illustration lack. They appear more life-affirming and Dionysian than the deader, Apollonian faux-vase painting works - and than equally Apollonian illustrative paintings in the classical painting tradition. Nietzsche would approve!

- - -
Postmodern Anonymouse


Anonymous said...

True artists draw all the time. That's just the way they see things and they can't help it. What's rare is that this couple stayed together so long. I wish i started keeping my sketches of my wife a long time ago.

JSL

xopxe said...

I suspect today there's much less space for stuff like this. Everything is processed as potential content and curated as personal brand.

Also, ancient Greeks would approve the doodles.

Anonymous said...

Stuff like this is why I follow this blog. These are lovely drawings, also the finished art. The superb horsecart picture with that razor-sharp attitude in that quickly drawn face.

David Apatoff said...

xopxe-- Sad but true. Today the Provensens would be under pressure to generate new content each day to post on Instagram or youtube, in order to build an audience. In the 1940s and 50s, the Provensens appear to have built their own private paradise on a farm. They worked side by side in a converted barn and made little drawings like these for their personal pleasure. When the day was done, they seem to have tossed the drawings into an immense cardboard box and moved on to whatever the new day would bring. If someone ever catalogued all these things, it would make for a great biography.

David Apatoff said...

Postmodern anonymouse-- Agreed. We don't tend to think of a career spent hunched over a drawing board or sitting at an easel as "glamorous" but sifting through the mountain of doodles that the Provensens left behind, one gets the impression it can be quite fun and lively. If I started posting more of these I wouldn't have to worry about coming up with new content for a long, long time.

Richard said...

Lovely post, thanks David

Happy Passover and Easter all

chris bennett said...

Thank you Richard, and I heartily return the sentiments.

Mort said...

Not sure how to share this, so here it goes. On the site of the Archivo histórico de Revistas Argentinas they uploaded the whole run of a magazine called El Periodista (de Buenso Aires).
It has a lot of rare illustrations by Carlos Nine.

xopxe said...

Great! They uploaded the entire Fierro run some time ago, also a Nine trove. (Mort is because of Cinder?)

Mort said...

Yes, It´s because of Breccia´s classic.

Anonymous said...

Your unvarying positivity is one of Life's welcome certainties, thank you